Is the World Black and White?

I've always loved black and white photography, but I can't count how many people have expressed a preference for color photos to me--especially for things like portraits and wedding photography. Certainly there are photos in which color is arguably the subject of the photo, and something would be missing from the photo if it were presented in greyscale. Still, I love what tossing out the color can do to a photo, especially with portraits, where I think a monochromatic treatment can really even out skin tone, or in photos on very grey days, where the colors have been a bit washed out.

Below are sets of some of my photos with the color version and at least one monochromatic treatment. There are a few I think work better or at least as well in the color and monochrome versions, but most of them are photos which I think were improved by throwing out the color. What do you think? You can see larger versions of the photos in the photo viewer by clicking on any of the photos in the post.

Heidelberg, Germany

 

Northwestern Glacier, Alaska

 

 Pine Cone in Paris, France

Wedding, Anchorage, Alaska

 

Paris, France

Portraits

 

 

Florence, Italy

My Latest Gig

I am finally back from my whirlwind adventure (more on that soon), and one of my first tasks upon my return was to shoot some portraits for a friend. She was particularly interested in resume photos, but we also had some fun doing more relaxed photos outdoors. The idea of a resume photo was a new concept to me--as I've applied primarily for jobs in the U.S., I've never been expected to submit a photo with a job application. Obviously the idea is to select a photo which is professional, but hopefully also conveys a bit of your personality. In order to make sure that I shot at least a few that would serve the purpose, I shot a wide variety of photos, ranging from extremely serious to happy.

In addition to shooting several hundred photos in different settings, with different clothing and hairstyles, and featuring different expressions, I also applied a variety of editing techniques (black and white, sepia tone, vignetting) to add variety and really make the photos stand out from the pack. I did the majority of my editing in Adobe Lightroom 4--I'm using the free 30 day trial, and trying to get a feel for how the program differs from (and is similar to) Lightroom 3. Rather than having a simple fill flash slider, as was the case in LR 3, LR4 allows you to adjust highlights, shadows, whites, and blacks all independently. As a big fan of the highlight recovery feature in LR3, I'm pleased to see these additional features in LR4. However, the added control does also mean that adjusting the light in the photo takes a bit more tweaking than in the previous version of the program. I also found that adjusting the luminance--both the overall luminance and color-specific luminance as necessary--really helped to even skin tone.

At any rate, below are a few of my favorite photos from the shoot. As always, I'm grateful for constructive feedback!

Dusting

Since about 2003 (I think), I've been shooting almost exclusively digital.  As much as I love the process of developing and printing with film photography, I simply don't have the resources for film photography these days.  Even beyond the cost of film, I don't have access to a darkroom, and who wants to take their precious photographs to the 1 Hour Photo booth?  Half the fun of shooting film is developing the film and enlarging!  So, my images generally go straight from camera to laptop these days. 

I did, however, pull a crazy all-night scanning session sometime during my transition from film to digital in order to digitize my favorite prints.  Well, my favorite prints of the ones I happened to be able to locate when I was struck with the scanning insanity (or, if you prefer, scansanity).  Anyway, it turns out that when you're sleep deprived and on a mission, you don't take really important steps like, say, cleaning the scanner.  So, as you can see below, I ended up with a big line down some of my photos, in addition to a lot of dust.  Bleh. 

So, time for some editing, I guess.  Now, the dust is a pain.  I did the editing on this between Lightroom and GIMP.  The dust was time-consuming, but easy enough.  Lightroom has a healing tool which allows you to adjust your selection tool size and select the area you want to "heal".  Lightroom then picks nearby pixels to clone over the spot in need of healing.  It's not always perfect--sometimes it does a really bad job of picking the best pixels to copy.  However, you can easily adjust the area it selects to copy from by dragging the selection circle to another area of your choosing.  The giant, ugly line, however, was not so easy.  Now, maybe there is a very simple way to get rid of a nasty streak in your photo that I'm just not aware of, but that pesky line took well over an hour zoomed in about 1500% with the clone tool...and a lot of CTRL + Z action (for those of you who don't know what that is, it's the shortcut to undo--very handy when you clone something, hate what you've done, and want to delete it...repeatedly).  As you can see below, I managed to get rid of the line and the dust--it's not perfect, but I'm pretty pleased (yes, I also cropped a bit while I was cleaning the photo up anyway).  Lesson learned, though!  Save yourself hours by cleaning the scanner first!